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TIP:
A good movie, "As Good As It Gets".
TIP:
When making a grayscale image that will be converted to line art (mezzotint/woodcut),
exaggerate contrast and details. Subtle effects just won't show up.
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Found
a chair back that looked liked it could have came from the time period
and scanned it at the correct size to fit (600ppi). Trimmed away the background
and moved it onto the Cleopatra file. Moved the chair layer below the
Cleopatra layers to put the chair behind the body. Using the move tool
the chair was moved to a position that looked right. With the chair layer
still the active layer, the levels were adjusted to match the figure.
The dodge and burn tools were used to bring out the details in the chair.
At this stage the chair looked pretty good, but it would look more realistic
if it got darker and lost detail as it gets closer to the body. To get
that effect, we used the lasso tool to make an irregular selection of
the chair where we wanted it to get darker. Featured that selection by
about 60 pixels and saved the selection to a new channel. Opened the channels
palette and adjusted the selection as needed. Open the layers palette
and put a new layer between the body and chair, then loaded the selection
just made. With the gradient tool set to foreground to transparent, and
black as the foreground color, filled the selection (It may take a few
attempts to get the correct angle, just hit command z and try again.)
After a nice gradation had been achieved, removed the selection and changed
the layer blending mode to overlay and adjusted the transparency. Satisfied
with the look of the new shadow, the chair and shadow layers were merged
together.
TIP:
Get a good camera and photograph your own reference as often as possible.
This will give you more control, for instance, staging and lighting the
subject to fit the need. Rely on stock photos and you're at the mercy
of what you can find.
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